The last 60 or so books I’ve bought, I’ve bought them via Kindle for iPad. Erin recently introduced me to Readmill, which offers a reading app and a way to share highlighted passages online. People can follow one another, see what they’re reading, see which parts of a book someone found most interesting, puzzling, moving, or troubling by their highlights and comments on the text. Readmill posts your highlights and notes to your profile if you choose.

Readmill continues to improve with each iteration. The last update included an in-app dictionary, something that I find indispensable. Readmill doesn’t yet have the ability to re-read a book. You can re-read it, but the book is considered “finished.” I find re-reading far more pleasurable than the first read. On Erin’s recommendation I read The Magicians by Lev Grossman. Fantastic stuff! Read it twice. Am now reading Grossman’s sequel, The Magician King.

Some of my favorite random passages from The Magicians:

Use magic in anger, and you will harm yourself much more quickly than you will harm your adversary. There are certain spells . . . if you lose control of them, they will change you. Consume you. Transform you into something not human, a niffin, a spirit of raw, uncontrolled magical energy.

Alice was still watching him. Behind her the mosaic was a swirl of green tentacles and whitecaps and floating fragments. He slid down the stone bench to her end and kissed her and bit her lower lip until she gasped.

He felt his intoxication already turning into a hangover, that queasy neurological alchemy that usually happens during sleep. His abdomen was overfull, swollen with tainted viscera. People he’d betrayed came wandering out from the place in his mind where they usually stayed.

Space was full of angry little particles.

So instead he kept his little particle of shame and filth inside, where it could fester and turn septic.

Most people are blind to magic. They move through a blank and empty world. They’re bored with their lives, and there’s nothing they can do about it. They’re eaten alive by longing, and they’re dead before they die.

Learn more about Readmill.

Steven Pressfield ran an excerpt from Rosanne Cash‘s compelling new memoir, Composed.

In it, Cash describes a dream, in which Linda Ronstadt and a man named “Art” are sitting on a couch deep in discussion. When Cash tries to join the conversation, Art dismisses her, saying, “We don’t respect dilletantes.” The dream had a profound effect on Cash: It inspired a new work ethic for singing, songwriting, and, exploring, and performing:

The strong desire to become a better songwriter dovetailed perfectly with my budding friendship with John Stewart, who had written “Runaway Train” for King’s Record Shop. John encouraged me to expand the subject matter in my songs, as well as my choice of language and my mind. I played new songs for him and if he thought it was too “perfect,” which was anathema to him, he would say, over and over, “but where’s the MADNESS, Rose?” I started looking for the madness. I sought out Marge Rivingston in New York to work on my voice and I started training, as if I were a runner, in both technique and stamina. Oddly, it turned out that Marge also worked with Linda, which I didn’t know when I sought her out. I started paying attention to everything, both in the studio and out. If I found myself drifting off into daydreams–an old, entrenched habit–I pulled myself awake and back into the present moment. Instead of toying with ideas, I examined them, and I tested the authenticity of my instincts musically. I stretched my attention span consciously. I read books on writing by Natalie Goldberg and Carolyn Heilbrun and began to self-edit and refine more, and went deeper into every process involved with writing and musicianship. I realized I had earlier been working only within my known range–never pushing far outside the comfort zone to take any real risks … I started painting, so I could learn about the absence of words and sound, and why I needed them

Further reading on Rosanne Cash and writing: Original Details and the Truth of Experience.

As a child, I remember feeling joy at discovering a penny on the street. Today, if I even notice a penny, I step right over it. I never bother to stop. Do you?

How many other small treasures do I miss, or worse, dismiss during my day as unworthy of my time and, more importantly, my attention?

American author Annie Dillard says pennies (instances of beauty and joy) are all around us and we’re missing out if we don’t take time to fully experience them.

In Seeing, the second chapter of A Pilgrim at Tinker Creek, Dillard urges us to rediscover joy by paying attention, and to:

“Cultivate a healthy poverty of simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted with pennies, you have with your poverty bought a lifetime of days. It is that simple. What you see is what you get.”

In fact, Dillard says paying attention is our obligation:

Beauty and grace are performed whether or not we will sense them. The least we can do is be there.

I know what I’m going to do, the next time I find a penny.

The Liars’ Club, by Mary Karr, isn’t so much a memoir as a story of survival. Karr recalls her rags-to-riches-to-rags upbringing in Leechfield, Texas (and later Colorado) in the early 60s–a place where “a slow race” was the definitive competition among the kids–where you pedaled just slow enough on your two-wheel bike to be in last place, without tipping over.

Next to her sister Lecia (pronounced “Lisa”), Karr’s father Pete, a hard-drinking oil refinery worker who spent his life punching the clock and paying his union dues, was the most stable influence in her life. Her alcoholic, pill-popping mother, Charlie Marie, was given to dramatic outbursts. She ignored her kids and longed for the glamour of New York in the 40s.

Karr’s recall is vivid and detailed–so consistently detailed, that as a reader I sometimes questioned where the memoirist left off and the storyteller began. For a person who experienced several traumatic events–rape at age seven, sexual assault later on, and her mother’s violent mental breakdown–you’d think you’d want to forget as much of your childhood as possible. But The Liars’ Club is, as Karr notes, about healing “…through exposure.” Through writing the book, Karr found that her family’s “…distant catastrophes became somehow manageable. Catharsis, the Greeks call it.”

The book takes its name from Pete Karr’s group of buddies who met to drink and shoot shit. The card-table lies he told were the most benign in the book–exaggerations and half-truths about his upbringing and experiences. Charlie Marie Karr’s lies were altogether different, the kind of lying American poet Adrienne Rich said is done “with silence.” The silence Charlie Marie kept after her first husband left one day with their two young kids nearly destroyed her, until she too, found her distant catastrophes somehow manageable by exposing them to Karr during a Marguerita-soaked mother-daughter evening.

This book is worth your time.